Golf Wang

http://www.youtube.com/v/E-V_IEohTIw?fs=1&hl=en_US

Above: “Bastard” and “French” performed live at The Roxy Theatre in West Hollywood

I have a confession: I have a man crush on OFWGKTA’s Tyler, the Creator. I follow him @fucktyler on Twitter, I’ve spun Bastard countless times, and I have a playlist on my iPod filled with every single Odd Future release. Tyler explains the appeal well in “Seven,” the second cut off of Bastard: “Because I’m 17, compose my own beats, lyrically I’m dope enough to ass fuck the guy who made nicotine.” Or maybe the allure is in those lethargic beats of which Tyler speaks, listlessly stumbling forward like the Wicked Witch of the East on barbiturates and giving Disaro‘s best a run for their gravewave money.

And if it’s not the high-quality material this crew is producing at such a young age, it’s Tyler, the Creator’s perfectly gravelly voice. Pause. But really, the first time I heard him rap, I was sure that there was some kind of pitch shift or filter on his voice. It’s got the gnarl of street veteran whose vocal chords have seen a bit too much smoke in their day—not a high schooler. In fact, I’d go as far as to proclaim Tyler, the Creator the joint recipient of the Best Rapper Voice award along with CyHi da Prynce (exhibit a: “she found out about April so she chose to Maaarch”; exhibit b: “my name ring beeellz”; exhibit c: “thugs think I’m a Blood ’cause I won’t take this red suit oooff”).

I’m sure that my love for all things OFWGKTA will yield a much longer piece in the future, but I’m trying to direct all my creative juices into this Kanye piece I’m working on (HYPE!), so I’ll quit now before I dig myself deeper into a hole with all these questionable remarks about how much I love some dudes’ voices. Now, get the hell on the East Coast’s Odd Future Wolf Gang Kill Them All bandwagon. I’m the driver.

Tyler, the Creator: Sandwitches (ft. Hodgy Beats)

MellowHype: Chordaroy (ft. Earl Sweatshirt and Wolf Haley)

Earl Sweatshirt: Luper

Domo Genesis: Super Market (ft. Ace Creator)

Now Until Sin: 12.22.10

Sorry this is late, but better than never. The Knocks are a electro duo that I have become very fond in the last few months. They write great dance tunes, perform live, and make great remixes. This is their 2nd or 3rd single (not sure what actually clarifies a song as a single anymore) after the epic, “Dancing With The DJ.” Wham, bam I blacked out. The song is about selective memory after an epic night. L’chaim.

The Knocks: “Blackout”
Learn more @ http://heavyrocmusic.com

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Taylor Gang or teabag a bear trap

Ricky Rozay: Former correctional officer

New Rick Ross song featuring Wiz Khalifa just released via Twitter. Guess what they’re is rapping about? Morality and the importance of the War on Drugs. Just joshin’.

Rick Ross ft. Wiz Khalifa: “Retrosuperfuture”

New Deadmau5

Still waiting on that Strobe killer…

Deadmau5 – Limit Break by fuckmylife

http://www.youtube.com/v/4CgT4N0zU1M?fs=1&hl=en_US

B-A-N-A-N-A-Z

For normal people, Christmas is about family and giving thanks and presents and food and all that lovey-dovey bullshit. For me, Christmas 2010 is about one thing and one thing only: The Fall. On Saturday, Damon Albarn and the Gorillaz will be releasing their so-called “iPad album” on their website. (It’s only available to stream for non-fan club members, but fuck knows it will be all over the Interwebz minutes after it’s put up.) Comprised exclusively of songs written and recorded during the Gorillaz American tour, The Fall is a separate entity entirely from Plastic Beach; however, the LP is sure to have ample noodlings of Albarn on synthesizers, a direction hinted on Demon Days cuts like “Dare,” developed further throughout PB, and continued on “Doncamatic (All Played Out),” the only track we’ve heard since Plastic Beach‘s release this past March.

It’s this “Doncamatic” track that’s likely to offer the most accurate hints in terms of what kinds of sounds will be populating The Fall. Although the original version of “Doncamatic” is stellar in its own right, the Joker remix found on the single release puts a purple spin on the tune. Let this one hold you over until Christmas morning, kiddies.

Gorillaz: “Doncamatic (Joker Remix)”

Now Until Sin: 12.21.10

More traditional tonight. One thing I can’t understand, though–how did this song not blow up? Chris Brown beatin up the beat (oh!), Yeezy with a above average verse and a killer hook. I guess Jive just doesn’t have the distribution to get this in the hands of radio DJs and the oh so important bloggers…totally possible. This is indie major, man.

Chris Brown (feat. Kayne West): “Down”

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Swag

The posse that brought you 2010 standouts Bastard (Tyler, the Creator) and EARL (Earl Sweatshirt) dropped this Christmas-themed gem today on the OFWGKTA website. The beat is languid and lurching, as is typical of Tyler, the Creator’s production, and Earl Sweatshirt returns from the abyss (boarding school?). What better Christmas present than Golf Wang’s weirdo drugged-out raps and an Earl sighting?

For the record, in a totally non-elitist way, I’d like to remark that it amazes me how few people still don’t know about these guys. They’re making some of the freshest hip hop I’ve heard in a long time. Don’t sleep!

Earl Sweatshirt, Hodgy Beats, and Tyler, the Creator: Fuck this Christmas

Important

Save us and the rest of the internet. Support net neutrality.
Learn:

http://www.youtube.com/v/cWt0XUocViE?fs=1&hl=en_US

Now Until Sin: 12.20.10

Day 2 of the countdown: maybe not your traditional bump and grind but…I just feel a little dirty when I listen to this cut from Sound of Silver. The chunk of muted guitars and that subterranean bass line can drive you crazy, man.

…at least he’s relaxed.

LCD Soundsystem: “North American Scum”

“I know you wouldn’t touch us with a ten foot pole.”
Yea, that dirty.
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